"How is meaning created in this clip through the use of the 4 micro elements"
Film: Bridge of spies (2015)
Director: Steven Spielberg
Genre: Drama/Thriller
What do we learn?
-It takes place in the cold war era during the 50s
-The situation must be serious as people from a government organization are getting involved
>This is also emphasized by the camera's quick pace etc
-There are many doors throughout with connotations such as:
-Revealing something: the opening of the door reveals both the US agents and Rudolf Abel
-Communication: As the name implies, there were spies for both the USA and the USSR during the Cold war, constantly contacting their governments and sending away the enemy's information.
-Abel is hiding something which the audience does not know and has a secretive personality
-Abel is alienated and seen as an outlandish character due to his appearance and the way the micro-elements are steered towards him.
Camera
The audience is informed of this film’s context via a panning shot of the streets. From the shot it can be clearly shown that the film does not take place in the modern era due to the style of vehicles and people’s clothing. the pace of this panning movement is also quite rapid, suggesting that the situation is unstable. This then continues with a zoom to one of the car’s plates that says “US government” , informing the audience that these people are a part of a government Organization (THE FBI) who have arrived in order to pursue their answers. It also gives an implication that they must be finding an enemy/defector of America’s rival nation- The USSR. Henceforth, the car stops very roughy, reflecting the hectic situation and foreshadows the ruthlessness of these people in upcoming events.
The chaotic situation of the cold war is echoed through the constant use of track shots throughout this clip. This is seen in the part where they run out of the car and into Abel's apartment. The Camera's motions are very similar to the way the agents run which allows the audience to be able to put their feet into the Agent's shoes and show empathy. During a Track shot, it is also quite hard to focus on the surrounding atmosphere within the scene as everything is palpitating, whilst similarly in a hectic situation, people will find it hard to come up with ideas and solutions. This paints the chaotic state of society during the cold war in very a clear way for the audience.
The chaotic situation of the cold war is echoed through the constant use of track shots throughout this clip. This is seen in the part where they run out of the car and into Abel's apartment. The Camera's motions are very similar to the way the agents run which allows the audience to be able to put their feet into the Agent's shoes and show empathy. During a Track shot, it is also quite hard to focus on the surrounding atmosphere within the scene as everything is palpitating, whilst similarly in a hectic situation, people will find it hard to come up with ideas and solutions. This paints the chaotic state of society during the cold war in very a clear way for the audience.
Editing
Another meaning made through the micro-elements is the concise yet careful nature of the agents whilst commencing on the operation. This is done via editing techniques and cinematography. The Cinematography used conveys a strongly chaotic and rash mood. This can be evident in the frequent usage of Track shots (when the agents start running) and also the lack of stabilization in the camera as it is always moving, even in confrontation scenes, illustrating the rashness of the agents in this clip. In contrast to this, the pace of editing is completely different as there is a small amount of changes in the sequence. Even though the Agents work in a rash and concise manner, they are quite careful and observant, not being too reckless since their job is to work for the US government.
Sound
The FBI Agents are painted to have the upper hand of the situation due to their higher quantities and the use of diegetic sound. Once they enter Abel’s Apartment, the loud noises of their footsteps dominates the vocal range of the opening and have more vocal roles than the other characters which shows the high amounts of power they possess. Voices and sounds are normally used to establish power and authority as it gives people the right to order and dictate others around. The high amount of sounds also acts as an intimidation mechanism towards the suspect/Abel to show that the Agents should be feared due to the power they can exercise.
Although this maybe, Abel is given a highly prisoner-like attribute. After he opens the door, he is put in the middle of the screen composition but is completely surrounded by FBI agents via the use of a 2-shot. This adds emphasis on his status of being trapped by his enemies, unable to escape from their grasp. Later in an over-the-shoulder shot, he is the only character with highlights in contrast to the agents who are engulfed in a blanket of shadows. The scene highly resembles a police interrogation where someone is guilt of wrongdoing, with the light mainly focussing on them, causing a feeling of alienation. Apart from this, the excess light enables the audience to see his worn out facial expressions , leading to their feelings of empathy.
Later on, Abel’s secretive nature is shown wider to the audience with the use of an unrestricted narrative range. He asks if he is able to clean his palette or else “the paints will get ruined otherwise”. Whilst he is about to wipe off the paint, Abel picks up a piece of paper from his ashtray, hides it in the napkin and proceeds to smudge it with dark blue paint. The audience is uninformed of what may be on the paper, only knowing that this piece of evidence is now gone, showing that Abel is concealing something from the agents and the audience themselves. It also metaphorically represents him surrendering to the agents as he can no longer escape since dark blue is a colour associated with authority.